AUDIO TOOLS / WET

WET

IN DEVELOPMENT

FORECAST:
TOO WET.

Reverb and delay in one place. Build a room, stretch an echo, and duck the effects around your track. Switch either section on or off independently.

Hear it in action ↓

Coming soon. $40 for the individual plugin.

Actual WET plugin interface
THE SOUND

PUT IT
IN THE MIX.

A dry synth phrase, a restrained space, and a larger wash of reverb and echoes.
Choose a setting, then press play.

DRY06 SEC / AUDIO DEMO

These demos are not loudness matched. Settings can change level as well as tone.

THE CONTROLS

FORECAST:
TOO WET.

01

ROOM

SIZE / DECAY / DAMPING

An eight-line feedback reverb with independent room size and decay, pre-delay, damping, and effect amount.

02

ECHO

PING PONG / MONO / BANDPASS / CHORUS

Choose an echo character. Sync to straight, dotted, or triplet notes, or enter a delay from 1 to 8,000 ms. Feedback reaches 92%.

03

DUCK

KEEP THE SOURCE CLEAR

Set input or external sidechain ducking with Threshold, Amount, Attack, and Release. Frequency cuts affect the added effects; Width and Output finish the sound.

KNOW YOUR TOOL

GET INTO
YOUR GROOVE.

Built for your DAW.
Made by Low Standards.

How do I use it?

Start with one section enabled. Set the reverb room or delay mode, then raise its Amount. Use low and high cuts to keep effects out of unwanted frequencies. For ducking, choose Input or route another track to the external sidechain, then set Threshold, Ducking, Attack, and Release.

What do Attack and Release control?

They shape the ducking envelope for both reverb and delay: how quickly effects drop when the key signal rises and recover when it falls.

What does the weather follow?

The scene follows the enabled reverb Amount: a desert labelled “dry” at zero and a tidal wave labelled “too wet” at maximum. Delay has its own independent amount.

How does tempo sync work?

WET follows the host tempo. It offers 1/32 through two bars, dotted eighth and quarter notes, and eighth and quarter triplets. When the host supplies no tempo, it uses 120 BPM. Synced times are limited to eight seconds.

Can I use it on an effects send?

Yes. Set Dry to 0% for an effects send and use the separate Reverb and Delay amounts to balance the returns. Keep Dry at 100% for a normal insert.

Which systems and formats?

Development builds include Mac AU and VST3 for Apple Silicon and Intel, and Windows x64 VST3. Direct audio-engine and processor checks have passed. September 2026 development revision. Automated DSP/processor checks and isolated Mac AU/VST3 load checks passed. Native Windows and REAPER/Ableton testing, signing/notarization and final delivery checks remain before sale.

When can I buy it?

The individual plugin will be $40. Sales open after final release checks.

Individual plugin options
FROM MINIMUM TO MAXIMUM

A SETTING.
A MOOD.

WET: dry
dry
WET: too wet
too wet
INDIVIDUAL PLUGIN

$40. ONE TOOL.
THREE COMPUTERS.

Your purchase will include a serial for up to three active computers. Deactivate an old computer to free a slot. Connect once to activate your serial, then use the plugin offline—even after restarting your DAW. Internet is needed again only to activate another computer or deactivate a slot.

Checkout opens after final release checks.

LOW STANDARDS COMPLETE / COMING SOON

ALL NINE.
15% LESS.

Posteriori, Intellinut, The Clap, Pull Out, Rotation, Wav Spreader, Psychotic, BAG and WET.

$306 one-time purchase

$360 individually · Save $54 · 15% off

Every paid plugin in one bundle. LS Link is included free. Individual plugins are $40 each. Perpetual licenses; no subscription.

Bundle checkout opens after final release and delivery checks.

CONNECTED TRACKS

NAME IT.
COMPARE IT.

Local analysis across Low Standards plugins.

Meet LS Link ↗
How do the plugins communicate?

Enter an Instrument / track name below the controls. Low Standards plugin instances in the same DAW process share spectra and waveform analysis. Add the free LS Link companion to any other mixer track you want to see.

How do I compare instruments?

Use the same Session name on both tracks. In Rotation choose a Compare track to see its spectrum and overlap. In Pull Out choose a Kick waveform preview, then route the kick to the DAW sidechain separately if you want it to trigger ducking. Names and selections save with the project.

Does this require internet or change my audio?

Track analysis stays on your computer and needs no network connection. LS Link passes the original samples unchanged with zero added latency. Separately bridged plugin processes cannot discover each other. Match session names to separate projects.